Jeff Donaldson (artist)
Jeff Donaldson was a pioneering visual artist whose work helped define the Black Arts Movement of the 1960s and 1970s. He was born in Pine Bluff, AR in 1932 receiving a BA in Studio Art from the University of Arkansas at Pine Bluff in 1954. Donaldson went on to complete his MFA at the Institute of Design of the Illinois Institute of Technology of Chicago in 1963. In 1974, Donaldson earned the degree of Ph.D. from Northwestern University becoming the first African American to do so in the nation.
Importance
He was a pivotal member of the Black Power movement. Donaldson espoused themes of transAfricanism and African American liberation ideology with his work with the Organization of Black American Culture on The Wall of Respect , his founding of African American art collective AfriCobra , and his position as art museum head of Howard University. Shown through the paintings Wives of Shango and A La Sango , Jeff Donaldson employed African mythology to add visual expression to the black power movement of the 1960s and 70's.
Themes
Jeff Donaldson filled his work with sociopolitical ideals. During the 1960s these ideals reflected those of the Black Power Movement. By mixing African icons with African American and American culture, Donaldson helped to create a uniquely black aesthetic. Images and ideas from African mythology were crucial to establishing paintings that were distinct from the parts of society he was rebelling against. Both Wives of Shango and A La Sango frame the message of the Black liberation movement with a powerful African protector in mind. For Donaldson getting a message out was central. In the case of these paintings the message was of Black Power and liberation.
References
- Adenekan, Shola. "Jeff Donaldson: Militant Artist and Critic who Supported Malcolm X." The New Black Magazine. Web. Picture
- Adenekan, Shola. "Jeff Donaldson Militant artist and critic who was active in the black arts movement." The Guardian. 13 March 2004. Web. <http://www.guardian.co.uk/news/2004/mar/13/guardianobituaries.artsobituaries>.
- Donaldson, Jeff. "Donaldson: Wives of Shango." American Studies @ The University of Virginia. Web. 18 November 2009. <http://xroads.virginia.edu/~UG01/hughes/wives.html>.
- Donaldson, Jeff R. "AfriCobra and TransAtlantic Connections." Seven Stories About Modern Art in Africa. Whitechapel Gallery, 1995. Print.
- "Jae Jarrell's Revolutionary Suit." Black World/Negro Digest Oct. 1970: 85-85. Print.
- "Jeff Donaldson Biography." The HistoryMakers. 23 April 2001. Web. <http://www.thehistorymakers.com/biography/biography.asp?bioindex=125>.
- Lindemans, Micha F. "Shango." Pantheon.org. 5 April 2001. Web. <http://pantheon.org/articles/s/shango.html>.
- Okediji, Moyo. The Shattered Gourd: Yoruba Forms in Twentieth-Century American Art. Seattle: University of Washington, 2003. Google Books. Web. <http://books.google.com/books?id=ZcuBkgJjyLYC&pg=PP7&dq=a+la+sango+donaldson&source=gbs_selected_pages&cad=5#v=onepage&q=a%20la%20sango%20donaldson&f=false>.
- O'Sullivan, Michael. "'Transatlantic Dialogue': Cultural Cross Talk." The Washington Post. 26 March 2000. Web. <http://www.washingtonpost.com/wp-dyn/content/article/2000/05/25/AR2005062901731.html>.
- Painter, Nell I. Creating Black Americans: African-American and its Meanings, 1619 to Present. New York, NY: Oxford UP, 2006. Google Books. Web. <http://books.google.com/books?id=83teYXulg5kC&pg=PA295&lpg=PA295&dq=wives+of+shango+donaldson'&source=bl&ots=zi7bA2nXzV&sig=DslZoGw5-zmlm-T4J-iyi-fGRVc&hl=en&ei=O-YBS9CkIsiEnQek3fWbCw&sa=X&oi=book_result&ct=result&resnum=3&ved=0CA8Q6AEwAg#v=onepage&q=wives%20of%20shango%20donaldson'&f=false>.
- Patton, Sharon F. African American Art. New York, NY: Oxford UP, 1998. Print. Section, "Twentieth-Century America: The Evolution of a Black Aesthetic"
- Warren, Lynne, ed. Art in Chicago, 1945-1995. New York, NY: Thames and Hudson, 1996. Print.
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Donaldson, Jeff |
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2004 |
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